New open letter raises ethical flags on UN mission to Nagorno-Karabakh
Keywords:
Beirut Explosion; re-imagined Beirut; Lebanon; women; recovery; reconstruction; healing; culture; justice; accountability; philanthropy
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BEIRUT, LEBANON — At a time when Lebanon continues to be defunded by the international community and the Gaza War is deeply affecting security, society, and economy, the Zovighian Public Office (ZPO) released its latest cultural creation to honor the quest for accountability and justice for the victims of the largest non-nuclear explosion in modern world history.
In 2022, ZPO Founder Lynn Zovighian, an award-winning philanthropist, entrepreneur, and opera singer, commissioned creative and bold young Lebanese artist, Noémie Honein, to rebuild Beirut and bring her back to life after the Beirut Explosion, leveraging research and strategic analysis developed by the ZPO to enable Lebanon.
"What is Beirut when women blossom?" is both the title of the piece and the strategic question that this cultural creation sought to answer.
The piece is also accompanied by a video production that features a poem, authored by Lynn Zovighian, capturing the rhythm and hidden messages of Honein’s imaginative work. The “Lebanese Dance (Dabke)” medley arranged by Edward Torikian and performed by the Fayha National Choir at the inaugural concert of “Giving Voice to Music” in 2023 offers viewers an uplifting and grounding multi-sensory experience.
With mixed media on paper, Honein reconstructed and reimagined Beirut with the human rights and dignity that the city and its people deserve. The 104 by 74 centimeter creation is incredibly colorful with an abundance of greenery, heritage, and music. Against a panoramic montage of Beirut’s devastated areas along its coastline, the capital’s neighborhoods are scenically painted and illustrated with women-centered, heritage-honoring, and green galore urban design. The capital is transformed into a family- and child-friendly city, kind and accessible to all its people and generations. What is passionately clear is the joy, peace, and light of the city that is exposed in every line and movement crafted by the artist.
October 5, 2023
Key findings:
Photo courtesy of © 2023 Siranush Sargsyan
Photo posted on X by Armenian Artsakhi journalist Siranush Sargsyan on October 2, 2023 with the tweet: “Were wars, explosions, and ethnic cleansing in the past 2 weeks not enough? Are we being made fun of by the intl community? By the UN? By the media now in #Stepanakert? They acted deaf when it was convenient, and now #Artsakh is empty of its Armenian population. Shame on them.”
Keywords:
Artsakh Nagorno-Karabakh; Lachin Corridor blockade; Armenians; conflict; humanitarian crisis; genocide; United Nations; UN; forced displacement; siege; Azerbaijan; Armenia
BEIRUT, LEBANON, October 5, 2023 —The Zovighian Partnership (ZP) Public Office published an open letter that flags concerns of ethical breaches, manipulated disclosure, and the lack of survivor-centricity of the United Nations (UN) mission that visited Nagorno-Karabakh on October 2. The statement was published on the website of the UN Azerbaijan after the mission completed its day trip. It was the first UN mission to Nagorno-Karabakh in 30 years.
Titled, “A flawed investigation, thirty years too late,” the open letter was authored by ZP Co-founder and Managing Director Lynn Zovighian and presents five key areas of concern:
No references were made to the needs of the ethnic Armenian people, both those who were uprooted from their homeland and those who have remained. There was also no mention of the military violence that was initiated by Azerbaijan on September 19.
Zovighian also wrote: “The statement offers no understanding as to how the mission, with only a few hours in a deserted city like Stepanakert / Khankendi, could find local Armenians who were able and open to speak freely and safely with investigators and interlocutors led by the UN Azerbaijan country team.” She also questioned the choice of focusing the few hours available fo the mission to Akna / Aghdam, an area not affected by the latest military escalation by Azerbaijan.
The open letter noted that of the six mentions that highlight the efforts of the Government of Azerbaijan in Nagorno-Karabakh, three commend the government.
The open letter stated that five of the sentences in the statement read similarly to statements published by the Office of the President of Azerbaijan and other government officials.
“The statement has triggered a trust crisis,” said Zovighian. She has called for an investigation into the non-independence and strong biases that favor Azerbaijan, and the harms this mission risks upon the historic Armenian people of Artsakh Nagorno-Karabakh.
Human rights activists and ethnic Armenians from Artsakh Nagorno-Karabakh shared their outrage towards the statement on social media.
Photo credits © 2024 Dima Toubaji / Zovighian Public Office
[This is] our message of hope and happiness for our Beirut, because all Lebanese and people of this city deserve it.
- Lynn Zovighian – Founder, Zovighian Public Office
“I wanted to translate Lynn’s vision with my colors, and it became a very hard endeavor because I could not get myself to believe anything but the dystopia that is Lebanon. I had to reconcile with the horrors of our world first before I was finally able to finish our Beirut two years later,” shared Honein, who is based in Paris, France.
Zovighian described their journey: “We spent almost two years pouring love into color, magic on paper, and energy in form. Beirut’s story was a hard one to tell, but we continued to hold and fill space.”
She added, “One day, as Noémie was drawing a Beirut Explosion memorial that we all still deserve, our Beirut, through the eyes and needs of its women, told us that she was ready.”
Art is about choosing beauty and it is a means of resistance.
- Noémie Honein – Illustrator and artist
The centerpiece of this cultural creation is a memorial of the victims and survivors of the Beirut Explosion, standing tall hand in hand, emerging like a natural rock formation out of the Mediterranean Sea with a beaming sun above it. At the coastline are the historic grain silos that protected much of the city from that fateful day, regenerated and rebuilt with hanging gardens growing from within it.
“Art is about choosing beauty and it is a means of resistance,” described Noémie.
In a personal letter to special recipients of a lithographic rendition of the art piece, comprising journalists, scholars, and doctors, Zovighian wrote: “I recently learned from a wise clinical psychologist that joy is the greatest act of resistance against those who aimed to destroy us but failed. [This is] our message of hope and happiness for our Beirut, because all Lebanese and people of this city deserve it.”
Photo credits © 2024 Noémie Honein
I wanted to translate Lynn’s vision with my colors, and it became a very hard endeavor because I could not get myself to believe anything but the dystopia that is Lebanon. I had to reconcile with the horrors of our world first before I was finally able to finish our Beirut two years later.
- Noémie Honein – Illustrator and artist
Since August 2020, Zovighian has been advocating for women to be given a center stage voice in the recovery, reconstruction and healing of the capital. She has supported various national and grassroots efforts, from advising the United Nations- and European Union-led Reform, Recovery and Reconstruction Framework (3RF) to managing international funding towards development, women-led NGOs and programs, and commissioning musicians to strengthen their resilience against socio-economic and socio-cultural distress. However, with every passing year, interrupted recovery and failed reform have debilitated the chances of Beirut and its people to heal and move forward inclusively and wholesomely, leaving behind a lost middle class and burgeoning impoverished households.
“It is key that we leave no family, woman, or child behind as Lebanon exclusively recovers in pockets, but with no fundamentals and reform in place,” explained Zovighian. “This is what Noémie made sure would not happen in our creation.”
Zovighian added, “With every type of woman in age, color, style, and worldview present in this work, this cultural creation is helping model what achieving personal and collective justice can look like. And it is all achievable.”
With every type of woman in age, color, style, and worldview present in this work, this cultural creation is helping model what not instigating injustice and non-inclusivity can look like. And it is all achievable.
- Lynn Zovighian – Founder, Zovighian Public Office
The statement offers no understanding as to how the mission, with only a few hours in a deserted city like Stepanakert / Khankendi, could find local Armenians who were able and open to speak freely and safely with investigators and interlocutors led by the UN Azerbaijan country team.
- Lynn Zovighian — Founder, Zovighian Public Office
“There has never been a more critical time and urgent need for a transparent, independent, and objective international response effort that can be trusted by all,” wrote Zovighian in reference to why she chose to publish an open letter and not limit her critiques to private meetings with UN stakeholders.
“I have sent a personal email in good faith to the Resident Coordinator at the UN Azerbaijan and the Spokesperson of the Secretary-General,” said Lynn Zovighian. “I hope we will be able to constructively look into a safer and more impactful fact-finding approach with the United Nations for future missions.”
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About the Zovighian Public Office
The Zovighian Public Office (ZPO) was established in 2015 to serve and safeguard communities facing crises and crimes of atrocity through research, cultural, advocacy, and diplomacy.
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About the Zovighian Public Office
The Zovighian Public Office was established in 2015 to serve communities facing crises and crimes of atrocity. We are dedicated to amplifying their voices through research, advocacy, and diplomacy.
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Welcome to the Zovighian Public Office (ZPO). We are holding a new digital space for communities facing crimes of atrocity.
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